Choosing
to focus on the aesthetics of Pan's Labyrinth was difficult because the
movie itself was enjoyable. But I was able to focus on the child like atmospherics the movie
had, although it was clearly for adults. I was able to understand Ofelia
animosity towards her father in law. First off when a child loses a father and
a new person comes into the picture, the new person can’t force his way into
the child's life. It was evident that the Captain had no interest in Ofelia,
only her mother and his unborn son. Really the Captain only cared about his
son. Nevertheless I can understand her want to get away from that atmosphere, which is why she
wondered into the labyrinth anyway. Upon meeting what she believed to be a
fairy she was instantly trusting, and not at all apprehensive, thus proving that
we are watching a child in a film for adults. As adults our first thought is to
kill the bug, whatever type it may be, and we wouldn't have been in the
labyrinth anyway. That being said, because none of the adults saw the magical
things happening around them, we may conclude that everything that is happening
could all be in Ofelia's head. She could be using this imaginary world to deal
with what is really going on in her life. A new father, house, and brother
although it did seem that she was excited about her brother. What would really
make me feel that this was imaginary was the ending. If, to me, she was indeed
a princess of an unseen world, than she shouldn't have died. Her dying and
Mercedes crying over her dead body is what brings us back to reality. That is
when we say "wait did she die or did she make it to her kingdom?"
When she did make it back home we say the king, her father, and what looked to
be like her mother and her brother waiting for her. This is where we question
if that is real or is that just her version of heaven.
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